Saint Germain & Shakespeare, via Manny

 

​Okay, it's 9:27 PM on July 23rd. I really feel very strange. I've been having dynamic experiences watching movies just the past couple of days. Yesterday it was Point Break, and tonight it was Runaway Train. They both have to do with male lead characters who are pushed up against a wall that they cannot get around—there's no escape. They're facing their ultimate destiny, their ultimate fate, and they have to come to terms with embracing the monster of the unknown.

​I've seen both of these movies so many times, and they've never hit me like this. The other background issue in my own life is this line I'm going to cross at the end of August, when I finish the last job I've got for this period of time, after which I don't have any other jobs scheduled. So that feels symbolic of my own wall of resistance that I'm having to come to terms with—that I can't see how to get around that wall of not having a continuation of jobs coming in.

​I don't know if I can say it doesn't scare me. In a way it does, but at the same time it doesn't, because something always works out. But it feels like I'm being challenged about that belief: what if the way things are going to work out for this next space of time is that they're not going to work out, or they're not going to work out the way they normally do? I just don't know.

​Anyway, all I know is these movies, man—they hit me, and it was totally unexpected. With both of them, I did not intend to sit down and watch either of these movies. They were just on, put right in front of me, and then I was like, "I have to watch this because I love this movie."

​Okay, I need grounding. We need a brand-new grounding cord. I can feel it, but I can't see it—I don't know what it is, maybe it's invisible, and that's fine. It feels strong. Yeah, I think it's a clear crystal grounding cord. Good.

​Sujata, Charles Winchester, can you guys please come in and help me clear this overabundance of emotions that I'm flooded with? I can't let this build up; I need to process it and move it. Thank you.

​Okay, and for this channeling session, I invite Archangel Michael to please come in and protect me from anything that might harm me. Metatron, Raziel, give me my psychic clarity. Thank you.

​Well, I was going to channel the actor who plays the role of Manny in Runaway Train, Jon Voight, but he's still alive. Good for him! I didn't know he was still alive—I thought I had heard that he had passed away, but good for him, he's still kicking it. I don't want to talk to him as a living spirit. I could channel the actual energy of the personality of the character of Manny... but maybe let's not try that, that's getting too flaky.

​Okay, put it away. Quit thinking. Let's just see who comes in, who wants to give me understanding tonight.

​Wow, that's interesting. So at the very closing end of that movie, they use a quote from Shakespeare—from the play Richard III. And Shakespeare kind of popped in. I don't know if Shakespeare... I've heard a theory that Shakespeare was actually St. Germain. We haven't channeled St. Germain. Let's talk to him!

​Okay, let's go with St. Germain and ask him about... okay, let's just get to St. Germain first. St. Germain, just chill, okay? Don't just start flooding me with your Violet Flame—allow me to talk to you. Let's have a conversation before you go all renegade and just incinerate my ego with the Violet Flame. I welcome that, in fact—maybe that is what I need for my healing tonight. But okay, Valentine is already in place, activated. Higher self, good, good.

​Okay, St. Germain. Yeah, he's laughing—he's laughing with me. That's cool. Good, good, good, good.

​Okay, let's just ask the big question: Were you Shakespeare? Who was Shakespeare?

​Boy, that really feels like a yes. That feels like a really strong yes.

​Are all the other stories about the other people that you have been true as well?

​He's like, "Yeah, yeah, but let's stay focused. Let's talk to the Shakespeare fella."

​Wow, I've never thought about channeling Shakespeare. I don't think I've channeled anybody other than Jesus as old as Shakespeare was. No, I don't think so. Interesting.

​Okay, I'll be quiet. What do you have to show me?

​Okay, so he's showing me something about—especially in his tragedy plays—what I experienced in the past two nights. This is what he was trying to create for viewers of his plays: he was trying to create epiphanies, spiritual epiphanies. At least at that time in history, when the plays were written, he had to create all this elaborate dialogue to exhaust the minds of the readers and viewers so that it was a method of baring their souls.

​I kind of get what you're trying to say. He says it works better now with modern society. Okay, I get it, I get it. There's just a lot more packed into his writing and his plays than normal people perceive. Easter eggs—there are Easter eggs! There are spiritual bomb Easter eggs buried inside his plays. But people still use their mind to overanalyze, and they dampen the potential impact.

​He's saying that storytelling in modern film is an emanation of the methods he created to plant these bombs into. So the way I've watched both of these movies so many times, it wasn't until my soul was fertile enough for those Easter eggs to explode.

​I'm really summarizing what he just showed me, but he might have known what he was doing when he did it. Yeah, he did, he did. But there are other people who write stories—and have written stories over the ages since then—who also do this, but they don't know that they're really doing it. There's something about the mechanics, a mystical mechanism in storytelling, especially if the writer is somehow tuned into their own core genius, that loads in these opportunities for epiphanies.

​Boy, this is really a complex concept he's giving me, and I'm missing getting to the genius depth of it, but I think this might be something that I'm going to explore more as I continue on.

​He's saying there is something special right now about this time in history—that Easter eggs are exploding more powerfully and just coming out of the blue. It's not just me; there are other people experiencing this as well.

​He says, "Yes, be prepared for more if you can embrace it. If you can embrace the strength of the revelations, it's going to clear the dross out of your soul and give you clearer vision."

​Holy smokes, what a message tonight. My head is thrown back, looking at the ceiling, so this has become a download. This is a downloaded message right now. Yeah, and I'm just kind of here in awe, receiving all this energy.

​Okay, he's like, "I don't think I can give you any more right now—or at least not in explanations." The light energy pouring in is just so heavy and thick right now.

​Okay, I need to anchor it. I need to anchor it for the collective. There we go—lighthouse anchoring the light. Whew, boy, so intense.

​My Lord, I woke up this morning with my third eye throbbing, and it's been like that all day. I just need a good sleep, please.

​I don't want to leave with this energy coming in. Okay, there he goes—he's going to close it up now. Oh, there we go, released. It's anchored. Thank you, St. Germain. Wow. I'm just vibing. Let's close this. Raku, thank you.

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